PRIDE

Literary Nonfiction. African American Studies. LGBT Studies. Winner of a Lambda Literary Award. BROTHER TO BROTHER, begun by Joseph Beam and completed by Essex Hemphill after Beam’s death in 1988, is a collection of now-classic literary work by black gay male writers. Originally published in 1991 and out of print for several years, BROTHER TO BROTHER is a community of voices, Hemphill writes. [It] tells a story that laughs and cries and sings and celebrates…it’s a conversation intimate friends share for hours. These are truly words mined syllable by syllable from the harts of black gay men. You’re invited to listen in because you’re family, and these aren’t secrets-not to us, so why should they be secrets to you? Just listen. Your brother is speaking. This new edition includes an introduction by Jafari Allen.

Self-described black, lesbian, mother, warrior, poet Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane

Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent

The key to a house, the key to a heart, the key to a secret—Oyeyemi’s keys not only unlock elements of her characters’ lives, they promise further labyrinths on the other side. In Books and Roses one special key opens a library, a garden, and clues to at least two lovers’ fates. In Is Your Blood as Red as This? an unlikely key opens the heart of a student at a puppeteering school. ‘Sorry’ Doesn’t Sweeten Her Tea involves a house of locks, where doors can be closed only with a key—with surprising, unobservable developments. And in If a Book Is Locked There’s Probably a Good Reason for That Don’t You Think, a key keeps a mystical diary locked (for good