PRIDE

June 28, 2019 marks the fiftieth anniversary of the Stonewall uprising, which is considered the most significant event in the gay liberation movement, and the catalyst for the modern fight for LGBTQ rights in the United States. Drawing from the New York Public Library’s archives, The Stonewall Reader is a collection of first accounts, diaries, periodic literature, and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots. Most importantly the anthology spotlights both iconic activists who were pivotal in the movement, such as Sylvia Rivera, co-founder of Street Transvestites Action Revolutionaries (STAR), as well as forgotten figures like Ernestine Eckstein, one of the few out, African American, lesbian activists in the 1960s. The anthology focuses on the events of 1969, the five years before, and the five years after. Jason Baumann, the NYPL coordinator of humanities and LGBTQ collections, has edited and introduced the volume to coincide with the NYPL exhibition he has curated on the Stonewall uprising and gay liberation movement of

The key to a house, the key to a heart, the key to a secret—Oyeyemi’s keys not only unlock elements of her characters’ lives, they promise further labyrinths on the other side. In Books and Roses one special key opens a library, a garden, and clues to at least two lovers’ fates. In Is Your Blood as Red as This? an unlikely key opens the heart of a student at a puppeteering school. ‘Sorry’ Doesn’t Sweeten Her Tea involves a house of locks, where doors can be closed only with a key—with surprising, unobservable developments. And in If a Book Is Locked There’s Probably a Good Reason for That Don’t You Think, a key keeps a mystical diary locked (for good

Radical Hope: Letters of Love and Dissent in Dangerous Times addresses the tumult and danger of these times, from the perspective of a range of leading novelists, poets, journalists, and political thinkers. These epistolary essays, or essays in letter form, are woven into a passionate narrative, and divided into three sections: Roots explores the histories that bring us to this moment, with many letters addressed to ancestors; Branches addresses present-day people or communities—a stranger in the supermarket, Baby Boomers, Millennials, white people, artists, the protestors at Standing Rock—and delves into complex questions of our current era; and, finally, Seeds looks to the future by speaking to new generations, to sons and daughters, to godchildren, or to imagined children yet to be born, all of them inheritors of what happens