Black Lives Matter

The Invisible Vegan

The Invisible Vegan is a 90-minute independent documentary that explores the problem of unhealthy dietary patterns in the African-American community, foregrounding the health and wellness possibilities enabled by plant-based vegan diets and lifestyle choices. The documentary begins with the personal story of Jasmine Leyva, a 30-year-old black actress and filmmaker currently based in Los Angeles. Over the past seven years, Leyva has committed herself to veganism, both in lifestyle and

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Curated Black Lit Build a Black literature library of your very own. We offer fiction and nonfiction quarterly book

Dear Martin

Raw, captivating, and undeniably real, Nic Stone joins industry giants Jason Reynolds and Walter Dean Myers as she boldly tackles American race relations in this stunning debut. Justyce McAllister is top of his class, captain of the debate team, and set for the Ivy League next year—but none of that matters to the police officer who just put him in handcuffs. He is eventually released without charges (or an apology), but the incident has Justyce spooked. Despite leaving his rough neighborhood, he can’t seem to escape the scorn of his former peers or the attitude of his prep school classmates. The only exception: Sarah Jane, Justyce’s gorgeous—and white—debate partner he wishes he didn’t have a thing for. Struggling to cope with it all, Justyce starts a journal to Dr. Martin Luther King Jr. But do Dr. King’s teachings hold up in the modern world? Justyce isn’t so sure. Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up. Way up. Much to the fury of the white off-duty cop beside them. Words fly. Shots are fired. And Justyce and Manny get caught in the crosshairs. In that media fallout, it’s Justyce who is under attack. The truth of what happened that night—some would kill to know. Justyce is dying to

The Hate U Give by Angie Thomas

Movie Synopsis: Starr witnesses the fatal shooting of her childhood best friend, Khalil, at the hands of a police officer. She quickly begins facing pressure from all sides, and she must learn to find her voice and stand up for what’s right. Content Warning: Racism, police brutality, gang activity, violence, poverty Book Description: “Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed. Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr. But what Starr does—or does not—say could upend her community. It could also endanger her

The Marsha P. Johnson Institute

The Marsha P. Johnson Institute (MPJI) protects and defends the human rights of BLACK transgender people. We do this by organizing, advocating, creating an intentional community to heal, developing transformative leadership, and promoting our collective

Don’t Call Us Dead

Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality – the dangers experienced in skin and body and blood – and an HIV-positive diagnosis. ‘Some of us are killed / in pieces,’ Smith writes, ‘some of us all at once.’ Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a